Dutt, Beyond the Theatrics
Utpal Dutt
On the Theatre
Publisher: Seagull Books, Calcutta
Printing Years: 2009, 2022
ISBN: 978-8-1-7046-251-4
Price: 499/-
Pages: 201
As I read the book I recalled watching him as Dhurandhar Bhatawdekar – a few years ago,
Few questions also came up,
- How well read was he? How the hell did he manage to recall so much!
- How did he see where we were headed? Was he that ahead of his times?
- How could he have been such direct, frank and yet so popular?
- How broad and deep was his repertoire?
But then he was at best an enigma - someone who worked closely with Ghose, Sen and Ray, was a Shakespeare scholar, and yet known to many of his generation for his roles as a 'comedian' in Hindi cinema! Dhurandhar Bhatawdekar was just one of the many such roles.
Some lines from the book – that have stayed,
On Shakespeare
- Urdu alone, of all Indian languages, can capture fully the sound-quality of Shakespeare’s verse.
- The decline of interest in Shakespeare in our times has been brought about by the attempt to restrict him to the confines of the leisured class.
- Shakespeare’s literary supremacy is apparent to anyone who appreciates literature as a law of nature.
On poetry
- An actor who does not love poetry is a contradiction in terms.
- The bourgeois does not understand poetry and is therefore suspicious of it.
On tradition
- The greatest experiment consists in carrying forward tradition, not in denying it; in interpreting and moulding it for our epoch, not in rejecting it as old.
- An experiment that denies its own past is bound to be still-born; Bertolt Brecht used to say that an experiment means understanding tradition and then bringing it forward to our age.
On truth
- We do not believe in absolute truth at all. Truth is always class truth. There are always two truths involved in every issue; the truth of the bourgeoisie and the truth of the proletariat.
- Gorky and Brecht insist that our truth embraces not only what is but what will be, or should be.
On Man
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